Saturday, 13 June 2020

MARRIAGE OR I-GBE-IYA-WO

Divination Cowries. © Olalekan Oduntan

Marriage has been said to be an institution ordained by God Almighty. And if you are seen as being ripe for it either you are a male or female, you are quizzed to embrace it through advice either from your parents, relatives or friends. Forgetting that it is not something you can rush in and out of as you like. Because if care is not taken through wrong decision or move, the way you rush in it, so will you rush out of it!
 
What is Marriage or "I-gbe-iya-wo" from the perspective of IFA? It literarily and simply means "Go and experience hardship". Because if you are not ready to accept hardship and experience it, marriage is not meant for you at all. As a matter of fact, history has it from IFA perspective that Orunmila journeyed to Iwo land when looking for a wife to marry.

He journeyed to Iwo land because of a beautiful princess called Adesewa. Orunmila actually went there to look for his daily bread in Iwo land when he met this princess who was a paragon of beauty. So many able bodied men had attempted to marry Adesewa all to no avail because of her beauty. And Adesewa was really flaunting her beauty too and she was very proud of it!

But Orunmila was ready to go through any hurdle to possess Adesewa for a wife. So on this very day, Adesewa's father who was the king that time summoned all his daughter's suitors to his palace and he informed them of the hurdles they must pass through before they could marry his daughter. And that whoever emerged successful will definitely the chosen man to marry his daughter. 

So on the D day, all the men had gathered at the palace to partake in the hurdles of getting married to Adesewa. And what was the task? A plate of hot pepper soup had been given to each of the contestants, the idea is that you must drink the pepper soup without gasping for breath! And no drinking of water at all to cool the effect of the hotness of the pepper!

Everybody who attempted this hurdle had failed. Only Orunmila scaled through it successfully. He drank the plate of hot pepper soup without gasping for breath! Also, he did not drink water at all after the whole exercise. Of course, Adesewa became his wife or (Apeteibi meaning the wife of Ifa), and she was given to him by her father the king. 

It should be noted here that whoever marries an IFA Priest becomes his Apeteibi or wife of IFA. Necessary things to make her qualify for this position must be done for her. Necessary things like having her own IFA which she will be using to protect her husband. I will talk more on Apeteibi in my subsequent write up.

So, later on that day when Orunmila and Adesewa were together officially as husband and wife, He said it was the hardship and suffering experienced by him in Iwo land that made it possible for him to marry her. Meaning, Marriage is I-gbe-iya-wo, which the meaning in Yoruba is, "Lo gbe iya wo", Go experience suffering and hardship!

So, everyone of us who has gone, yet to go or going into the institution of marriage today will experience its hurdles in one way or another because the marriage institution is not as palatable as it seems. Marriage involves sufferings and hardships which men must be ready for before dabbling into it. Whoever getting married today, " E lo gbe iya wo"!

© Olalekan Oduntan 2020.

Thursday, 11 June 2020

WHAT WE LEARNED ABOUT COMOROS: HISTORY, CULTURE. CUISINE


The Comoro Islands or Comoros form an archipelago of volcanic islands situated off the south-east coast of Africa, to the east of Mozambique and north-west of Madagascar. The islet of Banc du Geyser and the Glorioso Islands are part of the archipelago. The islands are politically divided between Union of the Comoros (pop. 795,601) and two territories of France : the region of Mayotte (pop. 212,645) and the Glorioso Islands, a part of the Scattered Islands in the Indian Ocean, the 5th district of the French Southern and Antarctic Lands.

The capital and largest city in Comoros is Moroni. The religion of the majority of the population is Sunni Islam.

Here’s What We Learned About Comoros in Our Research:

• Comoros exists.
• It is pronounced KOHM-uh-rohs
• It is a group of 3 (or 4 depending on who you ask) main islands in the channel between Mozambique and Madagascar. The 4th island is Mayotte which voted to stay a part of France in 1975, but many Comorans still claim it as one of theirs.
• It gained its independence from France in in 1975 and has had over 20 coups since then.
• It is one of the poorest countries in the world where the average daily wage is just over $1.
• Each island has it’s own cuisine.
• There is very, very little to be found online about the food of Comoros, but what can be found suggests African, Arab, Indian, and French influences.
• It is proper to say “bismillah” (thanks to Allah) before eating.
• Though there is no legal drinking age in Comoros, alcohol is not considered proper according to Islam (the dominating religion), but it is served in most European restaurants.

As a small cluster of islands between Madagascar and Mozambique, Comoros offers a cuisine that’s about as exotic as you’d imagine. It’s situated off of Africa, but heavily influenced by the Arab, Indian, and more recently French culinary histories. This means seafood, stews, coconuts, and lots of spices in combinations that are totally trippy to Western tastebuds!.

Cuisine in the Comoros can be described as a delightful fusion of Arab and French tastes. The nation never runs out of fresh seafood and even dried varieties. Fish is served in almost every meal, particularly in stews, along with staple dishes such as rice and meat.

Comorian food is very flavorful, seasoned with locally grown spices like vanilla, cardamom, cinnamon, coriander, cloves, and nutmeg. Local favorites include langouste a la vanille (lobster cooked in vanilla sauce) and barbecued goat meat, along with other types of meat kebabs. Rice is served as a ceremonial dish along with colossal cakes. Like other African countries, porridge is a staple on the Comoros Islands, particularly one made from cassava, often garnished with dried fruits. Fresh fruit is also in abundance on the islands, especially pineapple, avocado, banana, and pawpaw. Jackfruit is a local favorite, which is a large, one to two foot long green snack widely available that tastes somewhat like lychee.


Roast Lobster With Vanilla Sauce
• 2 live lobsters, 1 1/4- to 1 1/2-pounds each
• 1 tablespoon olive oil
• 7 tablespoons plus 2 teaspoons unsalted butter
• 3 shallots, peeled and finely chopped
• ¼ cup white wine
• 1 ½ tablespoons white wine vinegar
• ½ vanilla bean, split lengthwise
• ½ teaspoon kosher salt
• Freshly ground pepper to taste
• ¾ pound tender spinach, stemmed
• 1 pound watercress, stemmed

PREPARATION:

1. Place a roasting pan large enough to hold the lobsters in the oven and preheat to 450 degrees. With the tip of a sharp knife pierce lobsters between the eyes to sever the spinal cord. Crack claws using the blunt edge of a cleaver or a hammer. Place lobsters in the hot roasting pan, drizzle with oil and roast until red, about 15 minutes. Remove from oven, and set aside.

2. Melt 2 teaspoons of butter in a small saucepan, add the shallots and saute over low heat until soft and translucent, about 3 minutes. Add wine and vinegar, raise heat and cook at a moderate boil until the liquid is reduced to 1 tablespoon, about 5 minutes. Remove the pan from the heat, and whisk in 6 tablespoons of butter, about 1 tablespoon at a time until all is incorporated. Scrape the seeds from the vanilla bean into the sauce, stir to combine and strain into a clean saucepan. Season with 1/4 teaspoon salt and pepper, and set aside.

3. When the lobsters are cool enough to handle, remove the meat from the claws. Detach the tails, and discard the heads. With a pair of scissors, cut the shell on the underside of each tail in half lengthwise, remove the meat and cut into 1/4-inch-thick slices. Loosely cover the meat with aluminum foil, and keep warm.

4. Melt 1 tablespoon of butter in a large pot, and add spinach and watercress. Stir until greens have melted down, and continue to cook, stirring occasionally, until greens are tender, about 5 minutes. Season with 1/4 teaspoon salt and pepper.

5. To serve, reheat the sauce over low heat until warm, whisking constantly. Place a bed of greens on each plate, arrange the lobster meat on top and spoon the sauce over the lobster. Serve immediately.

Mixed Bean Soup Recipe:

Our hearty Mixed Bean Soup is the perfect choice for cold, blustery days. Especially if you’re vegan! Packed with protein & flavor, it makes for a highly satiating meal that keeps acid reflux at bay. While you can use a single type of bean in this soup, using a variety adds interest, flavor, and texture. Soaking the beans (at room temperature for at least 6 hours or overnight) helps reduce the cooking time as well as reduces the natural sugars which are harder to digest. And because they are filled with water, soaked beans cook more evenly and are less likely to fall apart during cooking.


What Makes the Mixed Bean Soup Recipe GERD Friendly?
 
Legumes are a delicious and healthy source of protein. They are naturally low in fats and cholesterol and high in fiber, folate, potassium, iron and magnesium. Balsamic vinegar is rich in acetic acid that stimulates the secretion of gastric juices. It can also make your stomach produce less hydrochloric acid that will help to reduce the symptoms of acid reflux. We believe that eating organic, fresh beans is better than eating canned beans. But feel free to use canned beans if you’re short of time and didn’t soak whole beans the previous night.

INGREDIENTS:

– 400 g Red Kidney Beans Pre-soaked
– 400 g Black-eyed Beans Pre-soaked
– 1 Large Tomato Finely chopped
– 1-2 Bay Leaves
– 1 tbsp Balsamic Vinegar
– 1 Celery Stalk Sliced finely
– 1 Carrot Sliced finely
– 1 Zucchini Sliced finely
– 600 ml Vegetable Stock
– 1 tbsp Mixed Dried Herbs
– 1 tsp Grass-Fed Butter
– 1 tsp Garlic powder
– Salt & Pepper to taste

INSTRUCTIONS:

1. Drain the beans, discarding the soaking water. Rinse under running water, place back in stockpot, and cover with vegetable stock. Add the bay leaf, cover, and simmer on low until the beans are just tender, approximately 1-1/2 hours.
2. Add the chopped vegetables and balsamic vinegar to the cooked beans. Simmer for another 15 to 20 minutes, adding water, if necessary to achieve the soup consistency you prefer.
3. Add the herbs, garlic powder and butter. Mix well and cook for another 5 minutes.
4. Serve warm, with crusty bread for a wholesome meal.


HISTORY:

The history of the islands is characterized by colonization, slave trade, sultanate battles, and Madagascan raids. The Africans first colonized the Comoros islands in the 8th century with the presence of Islam as a civilization and religion recorded as far back as the 11th century. Between that time and the 15th century, Comoros saw the evolution of its chiefdoms into sultanates as more and more Muslim Arabs set up camp on the islands. Commerce flourished and slave trade became commonplace during what is known as the era of the “battling sultans,” which continued for another four centuries.

The islands surrendered to France in 1841 and were formally under French colonial possession until 1912. The islands were considered part of Madagascar, which explains close ties with Malagasy people. The Comoros was granted self-government in 1961, but full independence was only achieved in 1975, mainly because of the geographical position of Mayotte, which is one of the main islands in the archipelago. The island retained links with France, leaving the three main landmasses – Anjouan, Mohéli, and Grande Comore – as a unified nation under the flag of the Union of the Comoros.

Peace was short-lived, as the islands were plagued by numerous coups from the late 1970’s to the most recent incident in 1999, which overthrew the new government. Today, the nation enjoys peace, though threats of political unrest still linger.


CULTURE:

Comorians are strong followers of Islam, and religious celebrations are widely observed. The local culture is a hodgepodge of Arab, French and African influences. The residents have a strong regard for music and other performance arts and local artisans are skilled in sculpture, pottery, embroidery, and basketry. Diversity is also evident in the many prevalent languages used on the islands, including French, Comorian, Arabic, and Swahili.

Customary celebrations in the Comoros often feature dancing, music and the re-creation of popular and important literary texts, including war epics and tales about the beginning of different villages. Embroidered ceremonial coats, Islamic bonnets, and curtains are donned. Jewelry is also widely produced and sold.

Islam is the dominant religion, and it influences the Comoros’ culture and traditions deeply. Customs should be respected, though locals are generally tolerant of outside cultures. Many people also believe in earthly spirits and the power of djinn, which is derived from African, Arab and Madagascan traditions. There is also a Roman Catholic minority. Alcohol is not banned, though discretion should be used when drinking and don’t make too big a deal out of it.

•culled from www.africanstylesandculture.com

Wednesday, 10 June 2020

Mountain Music and Folk Finds in North Carolina

Discover the sounds of the South in North Carolina’s musical towns.

The sound and style of North Carolina’s music evolved over landscapes and generations, from folksy mountain jams to live concerts in the foothills. Sure, North Carolina attracts big-name artists to its larger venues, but the real magic here is in the local names, the bluegrass pickers, the jug bands, the street buskers and the Appalachian roots that run through it all. Take a music-themed road trip through the mountains and enjoy a rich diversity of styles, venues and performances that all capture a piece of the North Carolina music scene.

Take a road trip, and discover some of the best of North Carolina’s folk and mountain music.

Asheville: Live Music Central


Charlotte Douglas International Airport provides a convenient starting point for your drive to Asheville, a two-hour trip to the west. This laid-back mountain city is known for the famed Biltmore Estate, as well as craft beer, farm-to-table dining and unique art, but it also rocks, plucks, jams and stomps every night of the week, particularly downtown. On any given day, you’ll see groups of toe-tapping spectators gathered around street performers, called buskers, playing everything from bluegrass and jazz to zydeco to mountain rock. In the summer, the music scene revs up with weekly drum circles at Pritchard Park and the popular Shindig on the Green bluegrass concert series. Consistently voted a Western North Carolina favorite (and named one of the top five venues by Rolling Stone back in 2008), the Orange Peel has hosted countless artists, from Bob Dylan to the Beastie Boys, in its intimate indoor space. Robert Moog, pioneer of electronic music and inventor of the Moog synthesizer, called Asheville his home for 30 years. You can take a free tour to watch the instruments being made and play every Moog instrument in production at the Moog Music Factory before heading deeper into the mountains.

The Mountain Music of Wilkesboro


This small town is a destination for mountain bikers and has more than 40 wineries within an hour’s drive, but most notably, it embodies the soul of Appalachian and folk music. The Kruger Brothers of folk and bluegrass fame call Wilkes County their home base, and you’ll find the likes of their music and similar tunes playing everywhere you go. The Blue Ridge Music Hall of Fame, located at the Wilkes Heritage Museum, inducts national and local musicians, luthiers (stringed instrument makers), dancers and other players in the world of mountain music. Be sure to check out the rest of the museum, particularly the circa 1859 Old Wilkes Jail where Confederate soldier Tom Dula (Dooley) was incarcerated – he was later memorialized in the folk song, “Tom Dooley,” made famous by the Kingston Trio in 1958. By far, Wilkesboro is best known for the annual MerleFest (in honor of Doc and Merle Watson) at the end of April. With a lineup of “traditional plus” performers – meaning traditional Appalachian music, plus whatever else sounds good – MerleFest has become one of the country’s premier music festivals.

Mount Airy: More Small-Town Tunes


Hugging North Carolina's border with Virginia, the ever-charming town of Mount Airy happens to be the hometown of Andy Griffith. A walk downtown is like stepping into a living Mayberry, and you can tour the Andy Griffith Museum or take a selfie with the bronze statue outside. But the music is what you’re here for, and Surry County is revered as a haven for fiddlers, banjo players and other traditional Appalachian musicians. Visit the Historic Earle Theatre, a bastion of old-time music. The Earle hosts the Merry-Go-Round live radio show (the nation’s second-longest running, next to the Grand Ole Opry) and regular jam sessions with local musicians on Thursdays and Saturdays. These sessions are lively and intense, with an incredible amount of musical teamwork that’s greatly appreciated by the foot stompers, toe tappers and dancers. On the first weekend in June, music fills the mountains at the Bluegrass and Old-Time Fiddlers Convention. In the summertime, kick back with a lawn chair and a cooler for live music at the Blackmon Amphitheatre downtown.

Unique Music Venues in Chapel Hill, Carrboro and Hillsborough


Head out of the mountains to your next stop in Chapel Hill. There’s so much going on here, it’s bound to be the perfect end to your road trip. Chapel Hill is dominated by the state university of the same name, and the vibe is young, fun and Southern. Hang out on popular Franklin Street to listen to buskers while browsing the local shops and pubs. As the sun goes down, West Franklin comes alive with entertainment. Check out the city’s oldest bar, The Cave, a quintessential dive with awesome music and drinks. At Local 506, catch local and touring musicians on a small stage. In the neighboring town of Carrboro, Cat’s Cradle hosts a variety of rock groups in a cool, 750-person venue, while the Arts Center next door hosts concerts, play and stand-up comedy events. Before leaving, take a side trip to the small town of Hillsborough to the north, hang out at Mystery Brewing for craft brews and live entertainment. Be sure to fill up your playlist for the flight out of Raleigh-Durham International, just a 30-minute drive from Chapel Hill.

•culled from www.visittheusa.com

Tuesday, 9 June 2020

Chad Culture, People, Food and Festivals

Chad is a country located in Africa and The Middle East. Its type of government is a Republican government. There are two official languages spoken fluently in Chad and they are French and Arabic. Sara, a local dialect is spoken in southern part of Chad aside from other 120 different languages and dialects which are spoken as well.



Major religions are Muslims about 51%, Christians about 35%,  animist about 7% and others about 7% as well. Major ethnic groups are 200 distinct groups located in the north and center part of the country and they are Arabs, Gorane (Toubou, Daza, Kreda), Zaghawa, Kanembou, Ouaddai, Baguirmi, Hadjerai, Fulbe, Kotoko, Hausa, Boulala, and Maba, most of whom are Muslim; in the south: Sara (Ngambaye, Mbaye, Goulaye), Moundang, Moussei, Massa, most of whom are Christian or animist; about 1,000 French citizens live in Chad as well.



A landlocked country in north-central Africa, Chad  is about 85% the size of Alaska. Its neighbors are Niger, Libya, the Sudan, the Central African Republic, Cameroon, and Nigeria.

Chad is a vast, ethnically diverse African country. It gained independence from France in 1960 after a sixty-year colonial period rule that did not create a meaningful national unity. Within the country's borders one may distinguish several national cultures that are based on the ethnoregional and religious affiliations of the population groups.
 




Many of the cultures can be traced back to a complex precolonial history of competing indigenous states and sultanates. The name Chad is derived the from designation of the great Lake Chad (originally called Kuri) by the sixteenth century author and imam Ibn Fortu. Chad is somewhat similar to Sudan in that it has a northern part inhabited by an Islamic (and partly Arabic-speaking) population of pastoralist semidesert peoples, and a southern part of Christians and traditional religious people, engaged in mixed agriculture, crafts, and trade.
 




These two parts each comprise about half of the population. Postcolonial Chad has, like Sudan, been marked by deep regional-ethnic divisions and a violent history of struggle for power among the various elites that have alternative visions of the state and their place within it. Armed rebellions and years of protracted and destructive civil war, in which the role of Libya was at times notable, have characterized Chad's recent history. Starting in 1993, the armed conflicts subsided and some sort of democratization process was instigated.





Islam  was brought in the course of the Muslim  conquest of the Sudan region, in the case of Chad complete in the 11th century with the conversion of the Kanem-Bornu Empire. Christianity  arrived in Chad with the French, by the end of the 19th century.









•culled from www.worldculturepeople.blogspot.com

Sunday, 7 June 2020

Central African Republic's Music Scene Reignited


You may not associate Bangui, capital of the Central African Republic with a vibrant music scene.

Well, Bangui does have a one which is gaining attention. One of the bands adding spice to the music business is the Canon Star a house hold name in the Central African Republic.

The ten-member band is back on the road, performing at venues across the country after a three-year hiatus, prompted by the political crisis in the country.

“We have lost at least 10 musicians during the crisis, they were all assassinated, they were killed cowardly , because they spoke out against certain things or because scores needed to be settled. So people were killed, there were bullets everywhere, other people died from diseases, so musicians have suffered a lot in the country,” said band leader, Aby Ngomateke.

CAR suffered the worst crisis in its history, when mainly Muslim Seleka fighters seized power in early 2013, triggering reprisals by Christian anti-balaka militias.

The country is slowly regaining normalcy and for many there is no better way to relax than at a Canon Star concert.

The political crisis meant that the Canon Star band was unable to book venues or find an audience willing to pay to watch them perform.

“The crisis has terribly affected musicians, because musicians in this country can only live off the profits that they make from concerts. They don’t own rights to their music, and when there is a political crisis, it’s the musicians who suffer because they can no longer 
perform. It brings a lot of problems because they have no money. Today, when a musician releases a new song, for example when comparing to musicians in Kinshasa (DRC), who can release a song and sell 20 to 30,000 copies, here in CAR, songs are pirated, up to 30,000 pirated copies are made, but no one buys music,” added Ngomateke.

The band which is popular for it sound which mixes traditional African music and rumba is struggling to grow their music in a country where there are hardly any record companies or music producers.

By Ewurama Kodjo 

•culled from www.africanews.com

Thursday, 4 June 2020

Music and Festivals of Cabo Verde


What do you know about the music and festivals of Cabo Verde? “Where is that? You may ask. Where else could one surf and scuba dive in one day, dance the samba and funaná on the second and scale a volcano on the third, all in a dry, mosquito-free environment where the mercury never falls below 25C? Yes, that would be Cabo Verde or the Anglicised version, Cape Verde.  

Cape Verde is the scenic West African island nation made up of a series of 10 islands. The archipelago is located 350 miles off the Senegalese coast. So, if you are looking for an archipelago with a colourful mix of Western Europe and West Africa- head on to Cape Verde.

What caught my fantasy in Cape Verde is not just the much talked about pristine beaches and volcanoes on the islands, but the people’s fondness for tones. If music is the food for the soul, Cape Verde feeds all souls with enough music to last them a lifetime.


Indeed, there’s an old saying that Cape Verde is home to a greater number of musicians per square kilometre than any other countries in the world. In truth, such a definitive claim may be nigh impossible to prove.

However, what is unquestionable is that the islands are peaceful and welcoming, with a population proud of its rich musical heritage. Talking about the musical heritage, one need only consider the music and dance genre called Morna to appreciate the legacy fussed to make it.

Morna recreates the dark imprint of Portuguese Saudade, while the percussion-driven dance batuque comes from a sensuous African root. Add in the rhythms of ocean waves for an island lilt, you can imagine the attractions of the music.

Cesária Évora, the “Barefoot Diva”, is the “Queen of Morna.” The Cape Verdean popular singer, who performed without shoes, is unarguably the biggest music export from the Islands.

A visit to any of the Islands tells the story better; music resonates everywhere: from the guitarists on the street, to the well-known acts every night at 5 Tal da Musica in the capital of Praia, to the blasting radio of packed taxi vans that wait and wait until they are full to depart.

To dive into Cape Verdean tones and rhythm, visit the Island on any of its festivals. Festivals in the Cape Verdes take place during Saints days, as such, they include church services, wonderfully colourful processions, a lot of drumming and lively music, all of which culminates in a huge party where people enjoy delicious traditional dishes specially prepared for the occasion. It’s a time to have fun and enjoy yourself with lots of other revellers who arrive on the islands for the festivities.

The popular festivals on the Island include the following:

Carnival (February/March)


This is the most famous festival in Cape Verde, and it usually holds on most of the islands in February, close to Ash Wednesday. The carnival is characterized by revellers, dressed in fancy dresses, thronging streets creating an electrifying atmosphere with the beat of good music. Watch the entertaining float procession with its incredible flamboyant costumes against the backdrop of clear blue sky. The carnival is always competitive as local districts try to impress the judges to be crowned the winner of the best street float. With its Brazilian influence, spontaneous street parties and electrifying atmosphere, Mindelo Carnival on the Island of Sao Vicente is by far the biggest with tens of thousands of people taking part.

The Flag Feast – Fogo (30th April)


The flag feast is held on the Island of Fogo on April 30th in the city of Sao Filipe named after the patron saint of Fogo. It starts with the ritual of women peeling and pounding maize in a pestle to the beat of the drum. The flags are important symbols and are blessed in water. Fogo males compete in horse races to have the honour of organizing next year’s event. The event combines a ceremonial mass and street party.

Tabanka – Santiago (June)


Tabanka means village in Guinea-Bissau. In Cape Verde, or more specifically Santiago island, it is a half religious, half social movement tool employed basically among the poorest part of the population, a reminiscence of its origin among the slaves that were imported from the coast of West Africa.

A tabanka is like a theatre, with the act being played out over a period of more or less a month, starting in June. The tabanka includes the stealing of a saint, from the heavily guarded (with wooden guns!) “capela do santo”, or the saint’s chapel, on a night with batuku dancing, and ends with recapturing it and catching the thieves. This is of course celebrated with processions, dance, music and lots of good grogue – the local sugar cane bases booze. A conch provides a tremendous sound to the tabanka, spanning ca. 12 different notes. The band Ferro Gaita has taken up the use of it. The Tabanka museum is located in the town of Assomada.

The Festival of São João (24th June)


São João, Saint John, is celebrated on all the islands. The festival of Sao Joao is a passionate affair involving folk dancing, singing and street parties. A fire is lit to ward off evil spirits and protect the fertile land as women dance the sensual Kola Dance while calling out their song as the sound of the drums becomes louder and more intense. The jovial street parties involve a symbolic representation of pirates who stole from the local people. Performers dress up in costumes representing ships, demanding gifts from passers-by.

Gamboa Festival – Santiago (May)


The Gambôa Festival happens in Santiago’s capital Praia. This superb event draws crowds who enjoy a musical extravaganza of local talented musicians and others wonderfully entertaining their audiences with salsa as well as Latino music that get everyone’s toes tapping.

Violin Festival – Santo Antão (June)


In June, on the island of Santo Antao the Violin Festival in Ponta do Sol takes place. Santo Antao is the lushest of the islands and is one of the best places to hike offering superb landscapes and stunning vistas. The wonderful violin festival draws musicians from far afield to this gorgeous island that’s just an hour away from Mindelo on the ferry.

Baia das Gatas – São Vicente (August)


The event was started in 1984 by a group of friends who wanted to create a way to meet and share musical ideas, but also as a way to create solidarity and peace throughout Cape Verde. The event now involves not only Cape Verdean musicians but also international artists, and attracts tens of thousands of people not only from Cape Verde but also from across the globe.

The music festival of Baia das Gatas is held on the beach over a long weekend in August close to the full moon. It’s one of the Largest open-air music festivals in West Africa, and has become a celebration of Cape Verdean culture. There are numerous food stalls where you can try Catchupa, fagalada and of course lots of beer and Grogue. The night eventually turns into one big party and giant disco.

This music festival is seen as the blueprint for the others on Sal and Santiago for example. The Gamboa Music Festival normally held in May.

Just one short week after the Baía das Gatas Festival of Sao Vicente, the fabulous festival of Boa Vista takes place.

Sal Music Festival (September)


The Sal Music festival in Santa Maria is held in September over a weekend and has also evolved into a big event attracting local and international artists. The music played is a fusion of many different styles and influences and is a great spectacle. Cape Verdean people from across the Islands as well as tourists flock to Santa Maria beach and generally camp out on the beach for the duration of the festival. When the sun goes down bonfires are lit and the party goes on through the night.

Sete Sóis e Sete Luas – Santo Antão (November)


On the island of Santo Antao, in Ribeira Grande there is the superb Music and Culture International Festival called Sete Sóis e Sete Luas, the translation of which is the delightful ‘Seven Suns and Seven Moons’. 

Christmas and New Year – Cape Verde (December – January)


Both Christmas and New Year in Cape Verde comes with spectacular firework displays and lavish gala dinners, especially in large hotels. Imagine Christmas or the New Year with a fabulous feast under the stars, followed by dancing the night away to Cape Verdean rhythms? Visit the island this Christmas and feel free to share the experience.

 •culled from www.afrotourism.com

Embracing Irish Music, a New York Tradition

Musicians at O’Neill’s, clockwise from left: Morwenna Steinersen, fiddle; Brian Sharkey, bodhran; Cathy Hornberger, flute; Dan Neely, banjo; John Morrow, banjo; Martin O’Connell, accordion; Christy McNamara, concertina; Ivan Goff, flute; and Shane O’Sullivan (back to camera), guitar. O’Neill’s is hopping on SaturdaysCredit...Thomas Donley for The New York Times.


YOU step into the crowded establishment, and it hits you: a rousing set of reels, played by a pickup band in the corner. There’s a fiddle, a guitar, a bodhran, a concertina, maybe a banjo or a flute or a tin whistle. Your foot starts tapping, you order a pint and you settle in for music summoning images of a damp, windswept isle across the Atlantic. But this isn’t St. Patrick’s Day. It’s the Landmark Tavern, on 11th Avenue in Manhattan, on almost any Monday evening.

All year New York abounds in places to hear traditional Irish music; you can find a session (or seisun, in Gaelic) practically every night. Most are instrumental. A regular group — the banjoist and fiddler Don Meade leads the Landmark’s — gathers, and other musicians drop in to learn a new reel, jig, hornpipe or air. At a more rollicking engagement the audience might sing along to, oh, “Whiskey in the Jar.” And sometimes a reverent hush descends as someone sings solo in unaccompanied sean-nos (old-style) songs. But everywhere the Irish tradition of conviviality prevails. And you avoid yahoos who forget their limits every March 17.

A tour of Manhattan’s hot spots (there are too many in Yonkers and the boroughs, especially Queens, to mention here) might begin on a Sunday night with the 11th Street Bar’s session in the East Village. Led by the fiddler Tony DeMarco, it starts at around 9:30 and has long attracted touring professionals seeking a bit of craic (Gaelic for merriment, pronounced “crack”).

The Landmark’s session, on Monday nights, starts around 8. Swift Hibernian Lounge, on Fourth Street in the East Village, hosts one on Tuesdays, as does Dempsey’s, a block or two east. Paddy Reilly’s Music Bar, on Second Avenue in Murray Hill, offers music and step dancing on Thursdays. Glucksman Ireland House, New York University’s center for Irish studies, has monthly Friday performances. On Saturdays, O’Neill’s on Third Avenue in Midtown is hopping.

All this persists years after Ireland’s glorious 1990s cultural moment in America, when “Riverdance” conquered concert halls, “Angela’s Ashes” dominated best-seller lists, “In the Name of the Father” earned Oscar nominations, and the Good Friday Agreement appeared to herald a new era in Northern Ireland. But in the world-changing wake of Sept. 11, Ireland’s ascendancy was somehow dimmed.

Or was it? Vogue is temporary; culture is timeless. And Irish traditional music endures, waxing and waning but never disappearing. In Ireland “traditional music reached a low point in the early ’50s,” said Mr. Meade, who covered the scene for years in a column in The Irish Voice, a weekly newspaper based in New York. Its decline in popularity, he added, could “be explained by people’s desire to turn their backs on rural poverty and embrace the modern world.” Many were “ashamed of this very Irish, very rural tradition.”

Mr. Meade cited Irish groups of the 1960s folk revival, the Clancy Brothers and the Dubliners, for reinvigorating the form. The Dubliners’ “combination of traditional dance music and guitar-backed ballads,” he said, “was the template for every popular traditional music band that came after them: Planxty and the Bothy Band in the 1970s, Altan, say, in the 1980s.”

As for whether Ireland’s cultural hegemony has receded substantially in America in recent years — exacerbated by the republic’s economic tailspin — Aidan Connolly is not so sure. He is the executive director of the Irish Arts Center on West 51st Street, a locus of theater, music and Gaelic since 1972.

“I don’t think I’d agree that it’s receded,” he said in a phone interview. He mentioned Terry George, the Belfast native who wrote and directed “Hotel Rwanda” and won an Oscar last month for his live-action short “The Shore,” as an example of Ireland’s continuing influence and “the enduring relevance of bands like U2.”

He acknowledged Ireland’s present economic struggles but said that optimism “could just be in the DNA of Ireland, as a country that has endured difficult times.”

“And, you know,” he added, “we’ve gotten by on poetry before.”

One sign of an Irish resurgence in New York is a new Irish Arts Center, scheduled to open in 2016 with private, city and Irish government financing. Embracing multiple disciplines, it bodes well for the future of Ireland’s place in New York’s cultural life.

But don’t ever count out the humble traditional session at the corner pub. It’s going to be around for a long, long time.

•By Andy Webster

•culled from www.nytimes.com



Sunday, 31 May 2020

Dance As A Window Into Cameroonian Culture

Cameroon is a country with a rich culture and unique traditions. Dancing and music comprise a huge part of Cameroonians’ lives, whether at clubs or gathering with neighbors.

As a Peace Corps Volunteer, my goal is not only to work collaboratively on projects with my host partners, but also to learn about local culture so I can become integrated into the community and educate my family and friends in the United States and elsewhere about how people in Cameroon truly live.

When my work supervisor told me that his village was going to be hosting cultural festivals and that his wife, who grew up in the same village, could accompany me, I excitedly accepted the invitation to attend.

Village festival, Cameroon

Village festival, Cameroon

And so, two days before New Year’s Day, I took an hour-long journey to Kedjom Keku, a village nestled in the mountains where my supervisor and his wife grew up and where they both still have family members.

Once I arrived, we immediately went to the village chief’s palace, where the festival was taking place.  The primary purpose of these festivals, which normally take place at the end and beginning of the year, is to bring all the residents of the village together to showcase their dances, music and costumes on the lawn of the palace. The festivals teach younger generations about cultural rituals so they can keep traditions alive as the years go by.

Village festival, Cameroon


Village festival, Cameroon

As people stood and watched, dancers formed a huge circle around a handful of musicians playing drums, recorders and other instruments.  Many people were decked out in beautiful traditional costumes, made of black fabric with bright colorful embroideries.  Each outfit is custom-made by local artists and wearers can choose their own designs.

Village festival, Cameroon

Village festival, Cameroon

Spending several hours at the festival wasn’t enough, so I went back later in the week. I want to take every opportunity to soak in moments I wouldn't get to experience back home in the U.S.

Village festival, Cameroon

Village festival, Cameroon

Village festival, Cameroon

Village festival, Cameroon

•By Rachel Chaikof

•culled from www.peacecorps.gov


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